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The stories behind our listings, news of exhibitions and some heraldic tales

Martyn Downer

The hidden cultural tragedy of the high price of silver

On May 9th, 2012 Martyn Downer wrote on the subject of Latest News.

Five years ago the spot bullion price for silver was about £6 per ounze, a year ago it was £28 per ounze and though it has since fallen back from its peak, it is still trading around £18 per oz today. See chart (courtesy of Bullion Vault). The inevitable consequence? Tens, possibly hundreds of thousands of ounzes of antique English silver – used, carefully polished and treasured by generations of owners – have been melted and destroyed in recent years.   And why? Because most domestic antique silver: spoons, forks, hard won trophies and christening cups that sort of thing; are traded by antique dealers close to the prevailing price of silver. In simple terms, a good quality 2 oz George III silver table fork bought for, perhaps, £10 in 2005 can be melted today for over £30. Scale that up to a 64 piece service for 12 people, then to the number of families who owned silver canteens and the numbers become very big indeed, and very sad.

We have been here many times before during earlier economic slumps and most recently during the famed Bunker Hunt price hike of the late 1970′s when speculation by two American oil tycoons, brothers Nelson and William Bunker Hunt, drove the silver price to $50 per ounze. People queued around the block to sell the family silver then, as they did again last year. However, although highly dramatic, the Bunker Hunt price spike was brief.  Within weeks of achieving $50, the price was back to around the $10 mark where it remained for years, halting the rush to the furnace.

The end of the road for too much antique silver

Of course, the current high price for silver is only one symptom of an overall and global rise in value of precious and non-precious metals such as copper and lead.  The rise in criminal activity that this has sparked – notably the theft of railway cabling – prompted a Private Members Bill in Parliament last year aimed at tightening the rules for scrap metal dealers (including those trading in bullion). Key features of the bill were the requirements for thorough record keeping and “cashless payments” to sellers.  However, without government sponsorship, the Bill failed to complete its passage through parliament before the end of the Parliamentary Session last month so it has been abandoned.

Service of Victorian flatware. Melt value in 2005: £500. Today: £1500.

Although its failure is regrettable, the Bill did not address the cultural implications of the wholesale but entirely legitimate destruction of  the fruits of centuries of British silversmithing. The loss of railway cabling, of course, is deeply frustrating to passengers and expensive to rail operators but it can be replaced and repaired. Likewise, the lead on church roofs, or fencing in the local park. Nor is the impact so profound in the market for gold which, at its current price of about $1500 per ounze has undergone an even more dramatic and steepling rise in value since Gordon Brown infamously flogged 400 tons of Britain’s gold reserves in 1999 for about $250 an ounze (net loss to Britain? about £11 billion). As the value of a fine jewel or rare gold artefact still far outstrips its prevailing bullion value, I suspect that, unlike silver. few gold objects of high cultural importance have been destroyed since we were at “Brown’s bottom”.

No such luck for the rafts of perfectly good silverware that have graced and been enjoyed by British households for centuries, nor much comment either from the Department of Culture, Media and Sport which should surely have a responsibility to somehow safeguard the most vulnerable items before they are irretrievably lost (possibly by age? type?maker?) After all, there would be a public outcry if thousands of early British paintings were being burned on a daily basis.

At myfamilysilver.com, we always seek to buy good British antique silver, principally flatware, decorated with crests in the hope of restoring it to the original families. In the last three years, that process has become relentlessly more difficult. The silver is almost literally disappearing before our eyes. Who will act to end the slaughter?

 

 

 

 

 

 

 

Martyn Downer

The British and the very first Gulf War

On May 1st, 2012 Martyn Downer wrote on the subject of Listed for sale at My Family Silver.

Piracy is not a new problem, of course, and sadly it has become a tragically topical one in the Indian Ocean today, but a magnificent silver gilt cup listed for sale at myfamilysilver.com recalls a little known chapter in British Imperial history when a task force was dispatched to eliminate attacks on East India Company merchant shipping in the Persian Gulf. Specifically, the expedition was aimed at the powerful Qasimi (essentially a conglomerate of local tribesmen, fishermen and seafarers) whose vessels had harried British ships in the Gulf for years.  A previous British  expedition in 1809-10 against Ras al-Khaima, the seat of Qasimi power on the Arabian coast to the east of the Persian Gulf, had subdued but not eliminated the threat. (Today Ras al-Khaima is the principal city of the emirate of Ras al-Khaimah bordering Oman in the United Arab Emirates. )

The expeditionary force left Bombay for the Gulf on 3 November 1819 and consisted of  three Royal Navy ships, six East India Company cruisers (including Glenelg) and 18 transports carrying about 3000 British and native troops, including the soldiers of the 65th Regiment as commemorated on the cup. In addition, the force was bolstered by boats and troops volunteered by allies to the British in the Gulf, principally Shaikh Sayyid Sa’id of Muscat who saw a means of extending his influence in the region.

On 4 December the British launched a heavy bombardment on Ras al-Khaima which fell 4 days later with heavy casualties to the civilian population. After garrisoning the city, the British turned their attention to extinguishing any remaining Qasimi resistance along the coast, at a high human cost. British casualties totalled  no more than a dozen or so soldiers killed in the entire campaign whereas an estimated 1000 local tribesmen were killed. In addition, the British destroyed approximately 200 small native vessels, ending the potential for further harassment at sea but also decimating the local fishing industry for years to come.

By February 1820, with the mission accomplished, the British force withdrew but not before razing Ras al-Khaima to the ground. The British commander, Major General Keir, negotiated a General Treaty with the ruling Shaikhs, defining future maritime behaviour in the gulf region. Piracy and seizure of slaves were strictly outlawed and a system of  flags and passes was introduced to regulate shipping.  On this basis, the British continued to trade in the gulf region though critics point out that the Treaty marked an unacceptable “grab for power” by the British in the region using Qasimi “piracy” as an excuse, the unhappy consequences of which remain to this day.

Further reading: Davies, C.E., The Blood-Red Arab Flag: An investigation into Qasimi Piracy 1797-1820 (Exeter, 1997)

 

Martyn Downer

Seal for a Braveheart

On April 9th, 2012 Martyn Downer wrote on the subject of Listed for sale at My Family Silver.

The motto carved in a magnificent hand seal listed for sale at myfamilysilver.com  gives a clue to its historic origin. Pro Libertate – For Liberty – is the motto of one of the most romantic of all the Scottish Clans: Clan Wallace, whose legendary forebear William Wallace famously defeated the might of the English army at Stirling Bridge in 1297.

 

The Wallace seal

Wallace’s exploits  during the Scottish War of Independence infuriated the English king Edward I who wreaked terrible revenge when his nemesis was eventually captured. Wallace was taken to London where he was hanged, drawn and quartered in 1305.  His grisly execution was intended as a warning to the Scots; however, it only served to cement Wallace’s heroic status in his own country as a heroic freedom fighter: a reputation which reached international proportions in 1995 with the release of the hugely successful biopic Braveheart starring Mel Gibson as Wallace. Despite a glaring lack of historical accuracy and its perceived xenophobia towards the English, the film introduced large audiences to the internecine struggles of medieval Scotland, winning   5 Oscars including Best Picture.

"Freedom!" - Mel Gibson as William Wallace in Braveheart

In addition to its rallying and inspiring motto, the crest for Clan Wallace  as depicted by the hand seal - a dexter arm vambraced, the hand brandishing a sword all Proper - is also suitably warlike and a legacy of a heroic past.

 

Wallace seal engraving

Today, the Clan Wallace extends across the world and can count many tens, perhaps hundreds of thousands of extended family members. However, the seal, which dates to the mid-nineteenth century and is set with a beautifully carved Bloodstone seal, was clearly created for a very high profile member of the Clan at the time. Maybe even for the Chief of the Clan, a position occupied today by the 35th incumbent of the title: Ian Francis Wallace of that Ilk. It serves as a reminder of the historic origins of many family crests and of the many romantic and exciting stories which link them.

Martyn Downer

Birdman

On April 2nd, 2012 Martyn Downer wrote on the subject of Silver Collections.

A beautiful silver dressing table set decorated in enamels with game birds recently listed at myfamilysilver.com illustrates the work of a member of a remarkable dynasty of family artists more usually associated with the Royal Worcester porcelain factory.

 

Silver and enamel dressing table set by James Stinton

The artist responsible, James Stinton (1870-c1950), was the third generation of his family to work for Worcester in an unbroken association between factory and family which eventually spanned almost a hundred and fifty years. Just as his father John had built a reputation at Worcester as a fine painter of Highland cattle on porcelain and his nephew Harry of stags, James developed a following for his beautifully and intricately worked scenes of gamebirds, especially of pheasants. His highly distinctive images, which originally catered for the Edwardian love of shooting, survives on a great array of porcelain from Worcester, with examples fetching high prices at auction.

Porcelain bowl decorated by James Stinton for Royal Worcester

 

However, if the factory was short of orders or for his own amusement and to bolster his income, James would sometimes apply his talent to watercolour. Occasionally, too, he would collaborate with silversmiths in nearby Birmingham in producing a range of, generally, enamelled articles for a woman’s dressing table, such as the present set.

Silver mounted enamelled hair brush by James Stinton

 

His versatility and the popular nature of his decoration, make Stinton a sought after and highly collected artist whose skill has helped his reputation to transcend that of most artist-craftsmen of his era.

Martyn Downer

A treasure from Mentmore

On March 27th, 2012 Martyn Downer wrote on the subject of Latest News,Silver Collections,Uncategorized.

magnificent silver gilt salver emblazoned with the coat of arms for Archibald Primrose, 4th Earl of Rosebery (1783-1868) recalls one of the greatest house sale in art auction history. Over a week in May 1977, Sotheby’s dispersed the contents of Mentmore in Buckinghamshire, a seat of the Roseberry family through marriage with the fabulously wealthy de Rothschilds.  Designed by Joseph Paxton, the architect of the Crystal Palace,  in voguish Renaissance revival style, the mansion was built in the 1850′s for the banker and art collector Baron Mayer de Rothschild. Baron de Rothschild rapidly filled the house with an astonishing array of precious artworks,many of silver and gold and all of which, following his death, was inherited by his daughter Hannah.

Mentmore, Buckinghamshire

Hannah marriage to Archibald Philip Primrose, 5th Earl of Roseberry (who was Prime Minister in 1894-6) , merged the de Rothschild collection with treasures from the Roseberry family, which included the salver made in Dublin in 1819 for Archibald’s grandfather. He had pursued a successful political career, including a spell as a Member of Parliament for an Irish seat, alongside indulging his passion for racing. The coat of arms so beautifully engraved on the salver display the primroses which are heraldically associated with the family and which have given so many members of the family their name.

Roseberry coat of arms

In 1973, crippling death duties forced the family to seek agreement with the then Labour government to accept Mentmore and its contents in lieu of tax. Alarmed by the valuation of £2,000, 000 , the government refused the offer, foregoing the opportunity to acquire an untouched collection of international importance in a perfect museum setting. The decision seemed even more short sighted and dull when the contents alone fetched over £6,000,000 at the Sotheby’s auction which followed.

Silver gilt salver for the Earl of Roseberry from Mentmore

Since the auction, emptied of its fabulous artworks, Mentmore has endured an uneasy time. A spell as the headquarters of the Transcendental Meditation movement, funded by the Maharishi Mahesh Yogi, ended in 1997 when the house was purchased by a property company for conversion to a luxury hotel. To date, that plan has come to nothing leaving the house in a state of increasing decay and on the English Heritage “At Risk” register. Meantime, the salver offers a glittering echo of its former glory.

 

 

 

 

 

Stephen Marsh

The 16th Mr Wilson

On February 28th, 2012 Stephen Marsh wrote on the subject of Crestfinder.

We recently took a stand at “Who do you think you are live 2012” and had the pleasure of meeting many fascinating people; not least some of our fellow exhibitors, of whom more at a later date.

I was delighted that our ranges of new glass and china emblazoned with family crests sold well and we plan to introduce them to the website during March.

We were also identifying crests for £5 a time and plan to introduce this service shortly too.

One man brought me a photograph of a coat of arms belonging to his mother’s family emblazoned on a piece of 19th century porcelain and asked me to identify the family. He knew that they were called Wilson but was unsure which of the 100 Wilsons in our database they might be.

 

We had four entries for Wilson with crests of “a Talbot head erased” and three of them were listed with the motto “Semper Vigilans”. But when I checked against Burkes General Armory only the Wilsons of Queensferry, Scotland, who by our records had the motto “Expecto cuncta superne” (which sounds like a Hogwarts spell), matched exactly the image above; but I was puzzled by the different motto.

We built our database originally around Fairbairn’s book of crests (1905 edition) partially because it specialised in crests and partially because it had more images than other directories; however we were aware that it had a reputation for errors and over the past 4 years we have corrected as many as we could find. To put it into perspective Fairbairn’s contained approximately 3,500 images for 45,000 entries. We have subsequently added entries from Burkes General Armory, Fox-Davies “Armorial Families” and many other sources; all of whom we list on the site as we are meticulous about citing our sources. We now have over 60,000 entries in our database and have created images for all but 3,000 of them.

When I looked at the entry in Burkes General Armory (1843) for Wilson of Queensferry I noticed that the motto was given “as the last”. The entry above was for Wilson of Plewlands and their motto was “Semper Vigilans”. However the entry before that (Wilson of Inverness) had the motto “Expecto cuncta superne” and I suspect that James Fairbairn (or his researcher), in the course of plagiarising Burkes General Armory, had allowed his finger to slip and record the wrong motto.

I am glad to have corrected another error but am sure that it won’t be the last.

My visitor was able to tell me a bit about the family which he had traced back seven generations to Joseph Wilson of the East India Company in the late 18th century, via the Wilson Beer Brewery in Manchester. But he really wanted to go back further than that. As we specialise in crests rather than genealogy I have recommended that he talk to Peter Beauclerk Dewar, a professional genealogist and former editor of Burkes Landed Gentry of Scotland.

Which reminds me of Alec Douglas-Home’s excellent riposte to Harold Wilson’s sneers about Mr Douglas-Home being the 16th Earl of Home: “For all I know he could be the 16th Mr Wilson”.

Martyn Downer

Armorial table from romantic Scottish castle found in Miami,Florida

On February 25th, 2012 Martyn Downer wrote on the subject of Latest News,Out and About,Uncategorized.

During my recent visit to the enormous Original Miami Beach Art  & Antiques Show in Florida, writes Martyn Downer, I spotted this magnificent Victorian marble topped table decorated in Pietra Dura (hard stone) mosaic with the coat of arms of the earls of Eglinton, a Scottish baronial family of ancient lineage with a very romantic past. The armorial mosaic was  crafted in Malta in the 1840′s presumably to a commission from Archibald Montgomerie,  the 13th Earl of Eglinton (1812-1861).

 

The Eglinton Castle table

Although he was  a distinguished Tory politician, the 13th earl’s real passions were for the Turf and medieval history. He satisfied the former with a string of racehorses but the latter led to one of the most extravagant spectacles of the nineteenth century when in 1839, the earl staged a full scale medieval tournament in the grounds of his seat at Eglinton Castle.

The Eglinton Castle Table, circa 1840, decorated in Pietra Dura work with the armorial achievement of the earls of Eglinton.

The event not only satisfied the earl’s own fascination with chivalry and heraldry but tapped into the public’s voguish interest in medievalism: a curiosity sparked by the young Queen Victoria’s attempts to shape her Court to chivalric ideals and to adorn her palaces with mock-medieval artworks and decoration.

Over a 100,000 spectators flocked to the Eglinton Castle on 28 August in anticipation of watching the modern representatives of some of Britain’s most ancient families joust  in full costume. Inevitably the Scottish weather intervened with a torrential downpour which washed the event out forcing a postponement.

The Eglinton Tournament

 

However, two days later, and after being lavishly entertained by the earl, the knights and their ladies returned to the field for the tournament followed by a ball and banquet. Although many subsequently ridiculed the event, it remains a cultural high point for Victorian medievalism: the impact of which on the British landscape can still be seen from the architecture of the Palace of Westminster to St Pancras Station.

Of course, such lavish pageantry came at a cost. It was estimated that the earl spent some £40,000 on his tournament which, together with his other expensive hobby, started a drain on his family finances leading to the eventual abandonment of Eglinton castle which today lies in ruins. The marble table was likely sold in 1925 when the contents of the castle – including artworks, paintings and the family silver – were dispersed by auction.  But it remains in beautiful testament to the 13th earl and his ruinous love for heraldic display.

 

 

 

 

Stephen Marsh

What’s in a name?

On January 13th, 2012 Stephen Marsh wrote on the subject of Uncategorized.

We have recently been researching the etymology of family surnames in order to be able to provide more information to our visitors to www.myfamilysilver.com. There appear to have been many books written on the subject and most are largely subjective. Surnames generally derive either from a place or a nickname indicating size or looks. For example the origin of Bogle was given as: “A Scottish nickname for someone with a frightening appearance”.

A prominent mercantile family of this name flourished in the 17th and 18th centuries in Glasgow, a scion of which, George Bogle of Daldowie distinguished himself as Warren Hastings envoy to Bhutan and Tibet in 1774. He was the first European to penetrate these remote Kingdoms and his adventures were used by Rudyard Kipling as the basis for his novel “Kim”. His exploits are well documented in a recent book by Kate Teltscher “The High Road to China: George Bogle, the Panchen Lama and the First British Expedition to Tibet”. The Royal Collection contains a picture by Tilly Kettle, commissioned by Hastings, to commemorate the expedition:

The_Third_Panchen_Lama_Receives_George_Bogle_at_Tashilhunpo,_oil_painting,_Tilly_Kettle,_c._1775

George Bogle being received by the Third Panchen Lama by Tilly Kettle, c. 1775. Courtesy of and Copyright the Royal Collection.

In this picture Bogle is portrayed in Bhutnese clothing (he is the one on the left with a jelly mould on his head) but with his face half hidden. Teltscher has included an engraving of Bogle that Francis Younghusband, a subsequent adventurer in the region, had used in his book in the early 20th century.

At this point I must declare an interest. My family are descended from George Bogle’s sister and we possess the “lost” portrait from which Younghusband’s engraving was taken. It was painted when he was in his late teens prior to his departure for India as a reminder for his family. He never returned; although his daughters (allegedly) by a Tibetan Princess were sent to live with his family at Daldowie after his death in 1781.

George_Bogle_Portrait

Portrait of George Bogle as a young man. Courtesy of and copyright a private collection.

Perhaps I am biased, but he doesn’t look very frightening to me.

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